more photos here.
Sunday, 20 November 2011
Tuesday, 15 November 2011
p.s. here's to letter writing!
You may have seen the Letter Writing Project (p.s. here's to letter writing!) at the MACC/LEEDS Trans-Pennine Art Expedition, the Home from Home exhibition (both in Leeds), and at nearly all of the Postal Project tour stops. Better still you sat down and wrote a letter! Thank you to everyone who did, lots of lovely letters, some soppy ones, some sad ones, some funny ones and some just bizarre. I have now sewn all the letters together into a hand-bound book, which will probably make an appearance somewhere...sometime...potentially in a location near you...until then feast your eyes on this. Also, look out for p.s. here's to letter writing vol.2!
p.(p.?)s. those of you who left an address I will try and send you something good in the post asap.
p.(p.?)s. those of you who left an address I will try and send you something good in the post asap.
for the passenger
I was asked, along with some others, by artist Su Hurrell to create a map describing my journey to MMU in Manchester. The only constraint was that it had to be approximately postcard-sized. The text is from The Road to Wigan Pier by George Orwell, 1937 (175). This used to describe how I felt about the train journey as I would get travel sick every time I tried to do anything on the train to pass the time, now I've managed to get over this travel sickness and spend each journey reading which seems like such a better use of time that otherwise felt almost entirely wasted.
Further information from Su: 'I asked people for maps to demonstrate that people understand a map to contain certain elements, i.e. starting/ending destination, orientation, descriptive symbolism. My research question for the Contexts is about the absurdity of mapping complexity and I wanted to see what preconceptions participants brought to the exercise - what conventions they understood. Your contribution was the most 'left field' of them (in a good way) and yet contained starting/end destination, and a linear journey of sorts with the line of poetry, left/right conventions of writing to journey.'
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